Wu-Tang, it started from a focused mind. I was given total autonomy to do whatever I want with them. If you listen to “Protect Ya Neck,” and U-God has four lines, not because he only wrote four lines — because I was able to take out everything else and just keep those four lines without him saying, “Yo, why I only got four lines?” They agreed, to me, to be a dictator for five years. And in those five years, it’s considered some of our best work. The work continued on, with “Wu-Tang Forever,” but that was the first democratic album. And then after that, it kept getting more and more — “Well, it’s your album, what do you want to do? You want to hire P. Diddy? Whatever you want to do, help yourself. It’s your [thing].” When before it was like, “No, no — it’s what I say.” Doing this film, I was given the same position again. And I see what happens when a person like me is driving that ship. I think we can do it again. I’ve been talking to some of the guys, I was like, “Yo, look, I would suggest that you put down everything you know, and trust me one more time.”
Oh, it’s got to be hard. [laughs] It’s like, “What makes you think you’re the genius?” Before, they believed in me like that, they trusted me like that. Now, they’ve had a chance to do their own thing, and some things they liked better. Whether it was successful or not, they may like it better. But I would say, if we get one more shot of me being completely trusted as the driver of the ship, I think we could give the world one more record, maybe.