A psych-folk/ space-rock psychedelic pop trio from Dunedin, New Zealand, The Shifing Sands alternate between the dreamy and the urgent. While the hyper-melodic jangle-pop sometimes references the “Dunedin sound”, the injection of synthesizer & sitar into the mix turns everything on its head.
Just bought a ticket to see these guys sound unheard (is that the equivalent of sight unseen?), and it sounds alright. They're from New Zealand and this is their first East Coast tour. I'm going to the Pinhook in Durham, which I have amazingly only ever walked by and never been in, but they're playing at a bunch of places. Apparently Sharon van Etten is a big fan and she seems alright.
Shifting Sands
https://theshiftingsands.bandcamp.com/album/cosmic-radio-station
Yeah, who knows, but the description sounds cool and was enough for me. And anyway, it was 8 bucks, so low-risk. I will probably end up getting stoned on my couch and not going though.
Just bought a ticket to see these guys sound unheard (is that the equivalent of sight unseen?), and it sounds alright. They're from New Zealand and this is their first East Coast tour. I'm going to the Pinhook in Durham, which I have amazingly only ever walked by and never been in, but they're playing at a bunch of places. Apparently Sharon van Etten is a big fan and she seems alright.
Shifting Sands
https://theshiftingsands.bandcamp.com/album/cosmic-radio-station
Yeah, who knows, but the description sounds cool and was enough for me. And anyway, it was 8 bucks, so low-risk. I will probably end up getting stoned on my couch and not going though.
I need to listen to it again (and probably another time after that), but I think we need to have a Talk about 22, A Million, which may end up a contender for the most Important release of the year.
The complaint I heard most about Bon Iver's s/t (not from me, mind; I love that friggin album) was that it was too safe and, consequently, boring. Vernon & Co seem to have taken that to heart and thrown "safe" out the window here. It's a routinely thrilling album, which is not a word I expected to use to describe a Bon Iver record in 2016.
I was thinking a little about Vernon's collab with James Blake ("I Need a Forest Fire") earlier this year. Blake seems to have rubbed off on him a bit here, too. "8 (circle)" sounds like it could have come straight off of Blake's debut s/t.
It's not a flawless album, by any means, and "Bon Iver fans" looking for a logical progression from their first two albums are probably going to feel a little disoriented, but man, it's exciting and a little jarring and one of the track titles has two dice emojis in it, so what the fuck, let's do this.
I havent listened to the whole thing yet but this new Growlers album might be the best new rock I have heard all year. Album produced by Julian Casablancas.
I havent listened to the whole thing yet but this new Growlers album might be the best new rock I have heard all year. Album produced by Julian Casablancas.
Check out Submarine Bells, an album by The Chills (another Dunedin band). Probably a top 10 album for me.
New John Prine is some good, fun, straightforward country duets. I'm a fan.