marquee moon
Banhammer'd
- Joined
- Mar 10, 2011
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Damn, there's a time in most teenage male's life where you discover the Doors, listen to them all the time, then they fade away. I enjoyed my Doors phase.
That greatest hits everyone had way back when plus the Stone movie were not really good for the Doors.
here is a song set that stands the test of time:
twentieth century fox
take it as it comes
i looked at you
end of the night
soul kitchen
backdoor man
moonlight drive
you're lost little girl
unhappy girl
my eyes have seen you
love street
summer's almost gone
my wild love
wild child
tell all the people
wishful sinful
queen of the highway
peace frog
blue sunday
ship of fools
land ho!
you make me real
indian summer
the changeling
hyacinth house
been down so long
I think Ray and the surviving Doors thought that Greatest Hits album and the movie were really, really good for the Doors. I don't think they give a shit that you like their B-sides better.
The Kids in the Hall's Bruce McCulloch argued that Doors fans are born, not made. But he ducks the question of why we're not making them anymore. Today, one of the first standard-bearers of rock is less hip than Journey. Let's review the case against the band: First we have Morrison himself, who's been blown into a caricature by his super-sexual persona, his wifty poetry, and his early death in a Paris bathtub. The music sounds like a weird cross between shit-kicking blues-rock and brain-spraining acid-jams, and it's easier to get your avant-garage fix from the Velvet Underground, your rock shaman verse from Patti Smith (or not at all), or your psychedelic extravagance from countless Nuggets bands. As dead 1960s rockers go, Jimi's legacy has left Janis and Jim in the dust. It may be a strange way to put it, but the problem with the Doors is that they were not efficient.
did you write that?
jimi's has left everybody in the dust. not really worthy of discussion either...............
did not realize we were discussing that
jimi learned a lot by the way, including how to dress, from this warped genius: